Saxon - Hell, Fire and Damnation
• album review •
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01. The Prophecy 01:24
02. Hell, Fire and Damnation 05:32
03. Madame Guillotine 05:24
04. Fire and Steel 03:36
05. There's Something in Roswell 04:09
06. Kubla Khan and the Merchant of Venice 04:15
07. Pirates of the Airwaves 03:56
08. 1066 04:03
09. Witches of Salem 05:11
10. Super Charger 04:47
Saxon remains an unyielding force in heavy metal, persistently delivering quality music for over four decades. Hell, Fire and Damnation is their 24th studio effort and a prime example of their unwavering commitment to the genre. The album kicks off with a dramatic introduction that segues into the title track, a quintessential Saxon anthem. The riffs are robust and dynamic, and Biff Byford's vocals retain their commanding presence, underscored by a catchy, grandiose chorus. The chemistry between Brian Tattler and Doug Scarratt is evident, with their dual guitar work creating a powerful sonic tapestry.
One of the album's standout tracks, "Madame Guillotine," delivers an infectious riff and compelling storytelling about the French Revolution. It's a perfect blend of historical narrative and metal might, proving that Saxon can still craft memorable songs with ease. Another high-energy track, "Fire and Steel," pays homage to the relentless pace and vigor of Judas Priest's "Rapid Fire," adding a youthful exuberance that belies the band's long history.
The consistency of Hell, Fire and Damnation is remarkable. Tracks like "There's Something in Rosewell" and "Kubla Khan and the Merchant of Venice" maintain the album's momentum, offering hard-hitting riffs and engaging lyrics. "1066" and the closing track "Super Charger" are reminiscent of the band's classic Unleash the Beast era, delivering a nostalgic yet invigorating listening experience. The only slight misstep is "Witches of Salem," which, while still a solid track, doesn't quite reach the heights of the others.
At a concise 42 minutes, the album never feels bloated or overlong. The production is crisp and powerful, giving the guitars a gritty edge and allowing Biff Byford's vocals to shine. Byford, now in his 70s, sounds as strong as ever, with a slightly rougher edge that adds to his already formidable presence. His performance, combined with Tattler's and Scarratt's stellar guitar work, makes for a compelling listen.
Despite high expectations set by their previous album, Carpe Diem, Hell, Fire and Damnation manages to stand on its own merits. While it might not surpass its predecessor, it comes remarkably close, offering everything fans could want from a modern Saxon album. As they approach their 50th anniversary, Saxon continues to prove that they are the undying lords of NWOBHM, delivering metal with passion, precision, and an enduring sense of vitality.